Excerpts taken from The Dead Emcee Scrolls: The Lost Teachings Of Hip-Hop.
Written by Saul Williams.
This might be my favorite section of the book, so I want to share (Even though I know how people love to avoid “words” here):
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The history of the African American population is a page torn from precolonial African history books and pasted into scrapbooks of the new world….
….When a people are cut off from their language, their culture, their, religion, and traditions they are forced to adopt, adapt and forge new ground over old wounds. Much has been said about the dangers of stripping people of their roots…..In some cases, when people are freed from their past they are given an opportunity to start anew.
Hip-Hop, like it’s African American creators, is born from this newfound independence. It is our generations opportunity to start from scratch.
…It samples the past, while at the same time re-ordering it and declassifying it’s hidden roots.
What if youth are misguided into believing that money is the ultimate power or that vulnerability is weakness?
While an Emcee may see displaying…vulnerability as a weakness, a poet will often see the ability to display vulnerability as a strength. It is when the careful balance between the two is found that hip-hop is at it’s most powerful.
At what point does hip-hop reflect more of it’s American birthplace than it’s African roots?
At what point does the power of hip-hop begin to work against itself?
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Pick up this book, it’s very good!